Media folios

Museums Victoria / Education / Teacher resources / Top Designs / Top Designs 2023 / Media folios

Assessment Criteria

Unit 3, Outcome 2: Media Production Development

Criterion 1

Research, documentation and evaluation of relevant aspects of a media form to inform the design of a media production.

This folio page shows Emily Widjaja’s research into zine narratives. It documents and evaluates three narrative approaches in different zine designs. This folio page shows Tia McNeill’s research into stop motion approaches. It documents and evaluates the ways in which clay and plasticine can be manipulated in stop motion to animate objects. This folio page shows the works of practitioners that informed the planning of Ella Hennessy’s Media Film project ‘Bloom’. Ella has evaluated ‘Wallace and Gromit’ and ‘Morph’ as media forms relevant to her project.

Criterion 2

Experimentation and documentation of the use of relevant media equipment, technologies and processes to inform the design of a media production.

This folio page details Callista Kosasih’s experiment and evaluation of slow shutter speed to achieve a specific visual effect in her Media Photography work. This folio page shows Jack Maliszewski’s investigation of onomatopoeia in action scenes in graphic novels. This folio page details Lachlan Whatman’s production experiment and evaluation of recording audio with multiple microphones. Lachlan documents this with images of the recording set up and a written analysis of the process undertaken.

Unit 3, Outcome 3: Media Production Design

Criterion 3

Documentation of the specified intention, audience and narrative relevant to a proposed product in a selected media form.

This folio page details Evie Taylor-Constable’s narrative statement for her Media Film project ‘Beachcomber Blues’. The narrative statement includes Evie’s intention, audience and narrative for her film. This folio page details Evie Taylor-Constable’s narrative statement for her Media Film project ‘Beachcomber Blues’. The narrative statement includes Evie’s intention, audience and narrative for her film. This folio page details Sequoia Pather’s statement of intention for her Media Film project ‘Shift’. The narrative statement includes Evie’s intention, audience and narrative for her film. This folio page details Emily Widjaja’s intention and audience statements for her Media Print project ‘i'm [not] okay’.

Unit 4, Outcome 1: Media Production

Criterion 5

Management and co-ordination of production and post-production in a media product.

This folio page details Evie Taylor-Constable’s management and co-ordination of production and post-production of her Media Film project ‘Beachcomber Blues’. Evie has outlined how she intends to track the progress of her project with a ‘Sheets’ document. This folio page shows Megan Tran’s ‘Production Journal’ for her Media Print work ‘One Day with Grandma’. The page documents Megan’s drawing sessions as she develops her illustrations for the picture book. This folio page details Lachlan Whatman’s ‘Production Journal’ for his Media Audio work ‘Legend of the Chosen One’.

Criterion 6

Operation of equipment and the use of materials and processes appropriate to the product.

This folio page details Callista Kosasih’s use of macrame cord, wire and twine materials to weave together her Media Photography work ‘Strings Attached’. This folio page details Jack Maliszewski’s process of hand-sketching to develop the pages of his Media Print work ‘Trying Again’. This folio page details Kim Xuyen Quinton’s ‘Production Journal’ for her Media Print work ‘Auspicious’.

Criterion 7

Application of codes and conventions to engage audiences and communicate meaning.

This folio page details Will Calleja’s application application of codes and conventions to engage audiences and communicate meaning. Will has outlined how he has used colour to convey emotions in his Media Film work ‘The Trials and Tribulations of Being Jordan’. This folio page details Tia McNeill’s ‘Character Dimensions Plan’ for her Media Film work ‘The Cleaners’. This folio page details Evie Taylor-Constable’s application of different backgrounds to communicate the mood of a particular scene in her Media Film work ‘Beachcomber Blues’.

Criterion 8

Use of reflection and feedback throughout production and post-production.

This folio pages documents the feedback Ella Hennessey received via Google Form which included a link to her finished animation. The page outlines responses to Ella’s final Media Film work ‘Bloom’. These folio pages documents the feedback Evie Taylor-Constable received via Google Form which included a link to her finished animation. The page outlines responses to Evie’s final Media Film work ‘Beachcomber Blues’. This folio page documents Lachlan Whatman’s ‘Rough Cut Reflection’ and ‘Rough Cut Feedback’ for his Media Audio work ‘Legend of the Chosen One’.

Criterion 9

Realisation of a media product.

This folio page documents Will Calleja’s approach to lighting in his Media Film work ‘The Trials and Tribulations of Being Jordan’. This folio page details Emile Feik’s reflection on his final Media film product ‘Earl Dreams of Apples’. This folio page documents Callista Kosasih’s final layout for her Media Photography work ‘Strings Attached’.

Criterion 10

Realisation of the production design in the media product.

This folio page contains Jack Maliszewski’s reflection on his final Media Print work ‘Trying Again’. This folio page details Evie Taylor-Constable’s reflection on her final Media Film work ‘Beachcomber Blues’. This folio page details Kim Xuyen Quinton’s reflection on her final Media Print work ‘Auspicious’.

MORE FROM MUSEUMS VICTORIA

Melbourne Museum Melbourne Museum Scienceworks Scienceworks Immigration Museum Immigration Museum Royal Exhibition Building Royal Exhibition Building Bunjilaka Aboriginal Cultural Centre Bunjilaka Aboriginal Cultural Centre IMAX Melbourne IMAX Melbourne