Visual Communication Design

Designers create and communicate their ideas visually to influence everyday life for individuals and communities. VCE Visual Communication Design examines the ways visual languages can convey ideas and information in a range of design practice fields, including environments, messages, objects and user experiences.

The selected works demonstrate the use of a design process that employ divergent and convergent thinking. Students have created their visual communications through using design elements, media, materials and methods.

Sophie Balis

Caulfield Grammar School, Wheelers Hill
Wurundjeri Country

Geometric wooden model with several rectangular recesses.
Fingy Beans Hangboard by Sophie Ballis, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Fingy Beans Hangboard

Branding and presentation board

Inkjet print, foam core

Hangboard model and prototype

Plastic filament, pine wood

Fingy Beans is an online climbing brand that is passionate about efficient and effective training. They required a new logo and hangboard designs for intermediate to advanced climbers looking to increase their finger strength. Their goal was to provide climbers with a flexible and beneficial training tool. The hangboard includes a range of hold types and depths to allow for a variety of training styles to be performed on a single board.


Phoebe Biggin

Methodist Ladies’ College, Kew
Wurundjeri Country

Architectural model of a multi-storey building, featuring vertical garden panels and trees atop the roof.
Station House by Phoebe Biggin, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Station House

Architectural model, concept board

Poplar wood, plastic

Advertisement brochure, concept board

Inkjet print, paper, plastic

Station House is a medium density apartment complex designed for Houndstooth Ltd. Presented as part of a development concept, my vision for Station House was to be an integration of organic and modern forms of design. I wanted the complex to reflect community ideals and the needs of an interaction-oriented population. My design uses wide open area spaces, green wall inclusions, and other features to suit the lives of growing families and achieve sustainable and aesthetic outcomes for all residents.


Hannah Cook

Northcote High School, Northcote
Wurundjeri Country

Fruits For Fauna' logo with green, blue and orange graphic design in the background.
Fruits For Fauna by Hannah Cook, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Fruits For Fauna

3D architectural model and presentation board

Laser cut wood, cardboard, foam core, inkjet print

Logo and visual identity

Inkjet print, foam core, paper

Fruits For Fauna is a small business that aims to protect endangered wildlife and conserve the environment. They required a sustainably designed café and education hub to be situated on Mount Buller, accompanied by a visual identity to promote the brand. The green roof of the café provides insulation and protection from alpine weather while also helping the building blend into the landscape. Inspired by snow gum trees, the logo features seasonal colours and a unique illustration that represents nature.


April Crumpler

Ballarat Clarendon College, Newington
Wadawurrung Wathaurong Country

Four aluminum beer cans with different coloured graphic labels.
Complement Brewing Company by April Crumpler, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Complement Brewing Company

Beer can label designs

Inkjet print, mount board, sticker paper, aluminium cans

3D model of a proposed brewery

3D print filament, model trees and figures, balsa wood

Complement Brewing Company required a set of graphic labels for the 6 different beer cans they produce, all following a complementary colour scheme of yellow/purple, blue/orange, and red/green. I used digital methods to produce the sticker labels and adhered them to aluminium cans. Complement Brewery also required a 3D model to present a proposed brewery design that would show the contemporary, vibrant nature of the business and their passion for brewing.


Alyssa Cunanan

Williamstown High School, Williamstown
Bunurong Boonwurrung Country

Wooden pencils, erasers and A4 notebooks, all featuring red, purple and orange graphic design.
Pictura by Alyssa Cunanan, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Pictura

Flagship Pictura store

Plastic filament, paper

Stationery set

Pencils, pens, inkjet print, paper

Pictura is a stationery store located in Fitzroy, Melbourne. The storefront is inspired by retro aesthetics, traditional shopfronts, contemporary arts, and prominent architecture throughout the suburb. A limited edition stationery set has been designed to celebrate the shop's opening, which pays homage to early-internet East Asian shows such as Cowboy Bebop and Perfect Blue, key inspirations of the owner Ann Che’s work.


Joseph Dinh

Mazenod College, Mulgrave
Bunurong Boonwurrung Country

Menu, food and chopstick packaging, featuring red and yellow grapic design and 'Yumi Restaurant' branding.
Yumi Restaurant by Joseph Dinh, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Yumi Restaurant

Brand design and packaging

Inkjet print, card, paper

3D model and promotional flyer

Inkjet print, bamboo panels and paper

Yumi is a restaurant chain owned by chef Aaron Tran and owner Shue Dang, who are in the process of opening a new family-run Vietnamese restaurant in Springvale. They are looking for a modern and distinct brand identity for their restaurants, including packaging. The architectural model of Yumi’s modern interior and exterior views depicts the unique environmental design, which distinguishes it from existing restaurants.


Amelie Dyer

Huntingtower School, Mount Waverley
Wurundjeri Country

Textured water bottle holder with a leather strap, and a wooden keyring featuring a character design.
Arizona by Amelie Dyer, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Arizona

Drink bottle and presentation board

Resin, plaster and inkjet print

Mascot and presentation board

Wood and inkjet print

Arizona is a large US based company providing climbing accessories to an international audience. The company’s ethos is to blend practical and elegant design. I focused on a highly functional design for the drink bottle that is both compactable and effortlessly attachable to meet the climber's needs while ascending. The accompanying mascot, inspired by the rugged spirit of the mountain goat, entwines authenticity and resilience into Arizona's brand identity.


Phoebe Kupsch

Wurun Senior Campus, North Fitzroy
Wurundjeri Country

Architectural plan and elevation drawings of an organically-shaped building.
Happycapy by Phoebe Kupsch, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Happycapy

Happycapy experience centre

Inkjet print, paper, foam core, virtual architectural model

Logo identity and phone application

Inkjet print, paper, foam core

Happy Sparks is a not-for-profit organization that has been providing key services relating to mental health in Australian communities for over 20 years. Happy Sparks wanted to base their therapy around capybaras, given their placid temperament and social nature, and develop an experience centre called Happycapy. Happycapy’s logo and experience centre have been designed to appeal to Melbourne residents aged 4 to 65, while also carefully considering the surroundings of the location and natural habitat of the capybaras. The accompanying phone app ensures a continuous interactive experience, extending mental health benefits beyond the centre itself.


Ethan Leong

Mount Waverley Secondary College, Mount Waverley
Wurundjeri Country

Close-up view of an angular architectural model, featuring white arches.
Bendigo Contemporary by Ethan Leong, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Bendigo Contemporary

Style guide and motion graphic

Inkjet print, paper, digital methods

Presentation boards and model

Inkjet print, paper, mounting board, card, resin

Bendigo Council required a design for a new contemporary art gallery along with a distinct brand identity aimed at young adults and tourists. I used both traditional and digital methods to create detailed architectural presentation boards and a model that accurately depicts form and scale. I used simple shapes and typography to create a minimalistic and modern aesthetic for the brand.


Ruby McInnes

Lowther Hall Anglican Grammar School, Essendon
Wurundjeri Country

Plywood architectural model with curvature and stepped elevations.
Artfull Community Art Centre by Ruby McInnes, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Artfull Community Art Centre

Concept board and model

Plywood, foam core

Promotional poster, style guide, business card and apron

Card, fabric, foam core

Artfull Community Art Centre is located in the growing suburb of Williams Landing. The facility provides development opportunities for local artists as well as classes for community members that cater to a range of ages and abilities. The Centre incorporates a balance of space for both recreational and work activities, providing multifunctional community benefits. I created an accessible building design alongside artistic branding to promote the new facility.


Holly McNamara

Lauriston Girls’ School, Armadale
Wurundjeri Country

Perspex architectural and garden model, elevated on a wooden base.
COO-EE Native Botanical Museum by Holly McNamara, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

COO-EE Native Botanical Museum

Promotional material and brand identity

Inkjet print, card, paper, foam core

Architectural model and presentation board

Perspex, wood, paper, glue, cardboard, card, foam core

The Horticulturalist Society of Victoria wanted to renew city spaces by bringing Australian native flora to Melbourne through their new project, the Native Botanical Museum. The Society required a clear brand identity and promotional material, as well as architectural and landscape designs for the museum. The COO-EE Native Botanical Museum and promotional material were created with a vision to reflect a minimal yet innovative aesthetic, complimenting the city environment.


Joshua Roberts

Waverley Christian College, Narre Warren South
Bunurong Boonwurrung Country

Architectural model of two connected, single storey buildings comprising natural wood and khaki paint.
The MOON Project by Joshua Roberts, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

The MOON Project

Logo, brand identity

Cotton t-shirt, calico fabric, acrylic paint, inkjet print, foam core, motion graphic

Architectural design

Wood veneer, plastic, spray paint, inkjet print

Elliot Lewis required a logo and architectural design for The MOON Project, a Melbourne-based organisation dedicated to creating spaces for emerging designers and artists. The unique shapes used for the logo, alongside the GIF animation, give the brand a contemporary appearance that targets a young audience aged 16 to 25. The openness of the gallery, met with the privacy of the studio hub, facilitates a space for creativity to thrive and be displayed to the public, meeting the organisational purpose.


Cooper Smith

Caroline Chisholm Catholic College, Braybrook
Bunurong Boonwurrung and Wurundjeri Countries

Architectural model of a geometric home with artificial garden and large windows.
Woodlands & Co by Cooper Smith, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Woodlands & Co

3D architectural model and digital drawings

Foam core, balsa wood, inkjet print

Brand identity

Inkjet print

Woodlands & Co, a private holiday homes company, required a design for accommodation and an updated brand identity. They wanted the designs to suit a gender-neutral audience aged 20 to 55, living in Australia and looking to holiday in regional Victoria. I used a combination of model making materials to construct my model, along with digital applications such as Google SketchUp and Adobe Illustrator to create my drawings. The brand identity was designed with consideration of a modern aesthetic with links to the natural environment.


Chinan Yang

Genazzano FCJ College, Kew
Wurundjeri Country

Close-up view of an architectural model with trees, flowers, and a scale model white figure in the middle of frame.
Urban Garden by Chinan Yang, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Urban Garden

Garden design

Virtual architectural model, inkjet print, paper, cardboard, artificial foliage

Plant labelling sign

Inkjet print, paper, PVC pipe, PLA plastic, acrylic

ThinkGreen is an organisation that recognises the importance of natural environments in maintaining a spatial and spiritual balance in urban areas. In response to a growing number of high rises in Melbourne’s eastern suburbs, ThinkGreen required a garden design and plant labelling signs for their urban garden. The garden aims to provide an immersive escape from the frenzy of a modern city, blending a style reminiscent of traditional Chinese architecture with a range of natural features, to create a space that embodies the five senses: sight, taste, scent, touch and sound.


Tin Lok Zhang

Camberwell Grammar School, Canterbury
Wurundjeri Country

Three sections of a compact keyboard, displaying white and blue keys.
Zen+ Studio by Tin Lok Zhang, Top Designs 2024. Photo by Nicole Cleary, courtesy of the Victorian Curriculum and Assessment Authority.

Zen+ Studio

Keyboard

PLA plastic

Brand identity and packaging

Inkjet print, card, paper

Zen+ Studio required a compact keyboard design, packaging and brand identity, aimed at users aged 18 to 25, that combined the art of traditional Japanese design with aspects of modern technology. The stackable keyboard and packaging design are inspired by a bento box, with a unique yet functional design that promotes cohesion between the product and its package. The consistent minimalist and clean aesthetic across all designs reflects both the values of the brand and the ‘zen’ in its name, with the Japanese inspired styling adding a unique twist.


View more student works

Join the mailing list and get the latest from our Museums direct to your inbox.

Share your thoughts to WIN

We'd love to hear about your experience with our website. Our survey takes less than 10 minutes and entries go in a draw to win a $100 gift voucher at our online store!