Film

Mackenzie Bliss

Sandringham College, Sandringham
Bunurong Country

A young man with long hair wears a blue superhero mask and matching top. A cool light highlights his hair from behind and he has a surprised expression on his face.
Good Guy by Mackenzie Bliss, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Good-Guy

Comedy, 5 min

In an attempt to escape his own weakness and break free from average teenage life, Henry takes on the hero persona of the Blue Guardian. As his vigilante attempt unfolds with increasing hilarity, it becomes clear that Henry may not live up to the superhero archetype.

In making Good-Guy, I wanted to create a comedy that would explore and mock the idea of comic-inspired vigilantes in real life. I hoped to achieve this by subverting the superhero genre with a bleak and naturalistic comedic style, inspired by films such as The Art of Self-Defence and Thunder Road.


Koko Crozier

Methodist Ladies' College, Kew
Wurundjeri Country

Two young women with dark hair wear long white dresses and walk closely together through an open field. They are surrounded by a natural landscape. The sky is pink and purple.
Hereafter by Koko Crozier, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Hereafter

Horror, 6 min

A young girl awakes to find that her family is missing. As she navigates her secluded farmhouse in their pursuit, she is confronted by a series of supernatural events. The manifestations escalate in disturbing fashion as a macabre reality unfolds.

In making this film, I hoped to create a cinematic experience that both satisfies and challenges the audience's expectations. Inspired by the directorial work of James Wan and Ari Aster, I aimed to instil a sense of hope and beauty into the notion of death.


Eva de Carvalho Koch

Bialik College, Hawthorn
Wurundjeri Country

A cable cart travels across two wires above a condensed city. There are hundreds of houses are packed close together with the lights on.
The Abandoned Tour by Eva de Carvalho, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

The Abandoned Tour

Animation, 2 min

This cautionary film follows a perishing cable car along its melancholy route. It explores a crumbling city ravaged by the devastating effects of human overpopulation, consumption and greed. There is a vast wasteland that resides beyond the fenced perimeter.

In creating and modelling this 3D animation using Blender, I hoped to explore a dystopian city where the remains of humanity are hemmed into an overpopulated city-like hub. I aimed to show the overwhelming effects of materialism and consequent pollution, ultimately presenting a cautionary tale.


Lazar Feldman

Wesley College, Melbourne
Bunurong Country

Two young girls in their school uniform sit together on top of a wire structure. The younger of the two girls faces the older and the older faces down. There are large trees in the background.
Pet Problems by Lazar Feldman. Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Pet Problems

Coming-of-age, 5 min

Mira is a five-year-old prep student faced with the impossible challenge of having to bring a non-existent pet to school for upcoming 'Bring your Pet to School Day'. After discussing with her siblings why she does not have a pet, she investigates how to find one.

In devising this film, I aimed to honour the innocence of childhood and celebrate the stories of Australian suburban landscapes. Inspired by the corpus of Australian content canonised by Glendyn Ivin, I drew on the universality of 'fitting in'. The film straddles a fine line between comedy and tragedy, ultimately presenting a story of hope.


Alice Huxtable

Fitzroy High School, Fitzroy North
Wurundjeri Country

Three houses sit side by side separated by white picket fences. A woman and child stand outside the middle house. The child wears an astronaut helmet.
Space by Alice Huxable, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Space

Animation, Drama, 5 min

A child's passion to become an astronaut leads to play and bonding with his mum. As he grows up, the child loses his passion and curiosity, and drifts apart from the parent. He gets caught up in the stress and fast pace of adult life, ending up isolated in a dull office job.

When making this film, I hoped to create an emotive story that can connect with a wide range of audiences and challenge the decisions we make and who we leave behind because of them. Inspired by Christmas adverts and Pixar short films, I wanted to instil a sense of nostalgia and emotion in the audience.


Sam Huybers

Scotch College Melbourne, Hawthorn
Wurundjeri Country

A person is walking on a beach, wearing a suit. Their hands are in their pockets and they are looking down towards the sand.
Grow Up by Sam Huybers, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Grow Up

Action, Comedy, 7 min

Grow Up aims to tackle the pressures of adulthood on teenagers through the symbolism of video games. The film uses animation to bring these video games to life and represent the typical teenager attempting to grow up and leave behind the things they once enjoyed.

My film aimed to represent my adoration for retro video games and how they may not be appreciated as 'regular' adult hobbies. I wanted to visually represent the energetic perspective of children on life, with visuals inspired by Edgar Wright, specifically Scott Pilgrim vs. the World.


Elizabeth Ives

Loreto Mandeville Hall, Toorak
Wurundjeri Country

A close-up image of a girl with green eyes and long brown hair. She looks directly into the camera.
These Walls by Elizabeth Ives, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

These Walls

Music Video, 7 min

These Walls is an indie music video that juxtaposes flashbacks to the warmth, hope and joy of youth with depictions of the unfulfilled and loss-tainted present of the young protagonist. It highlights the demoralising fears of individuals on the precipice of adulthood.

Having also written and produced the song, I sought to create a visual and aural representation of the fear of regret and failed potential of my generation, hesitating on the precipice of the ‘freedom' of adulthood. Inspired by Xavier Dolan, I wanted to achieve this in an intimate and highly symbolic way.


Erin Kim

Templestowe College, Templestowe Lower
Wurundjeri Country

A still from an animated film, showing a person sitting on a rug. They have antlers blooming with yellow flowers. Next to them is a pet fish with large eyes, a bag with a bottle of tea and a glass, and a pair of sandals.
The Flower in Me by Erin Kim, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

The Flower in Me

Animation, 3 min

Insecure about the flower buds on her antlers not having bloomed like her other peers, Bom struggles with self-acceptance. Her self-doubt transforms into the physical form of a shadow creature that consumes Bom, until her friend Pangie rescues her.

For my animation, I was inspired to create a story of self-acceptance and celebration from the song ‘Outro:Ego’ by j-hope of BTS. To represent this in a story without dialogue, I decided to use the character’s physical form to develop the character.


Beatrice Lane-Smailes

Wesley College, St Kilda
Bunurong Country

A film title screen in black and white. A young woman walks down an alleyway facing the camera. White text is overlaid reading ‘Candle’, with an illustration of a candle underneath.
Candle by Beatrice Lane-Smailes, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority

Candle

Music Video, Action, 6 min

After a night out, a woman leaves her friend and walks home alone. She is stalked by a man lurking in the dark, who does not know the woman is actually a witch. With her powers, she is able to stay one step ahead.

In creating this music video, I intended to empower young women to live their lives without the fear of a male figure lurking in the background. Inspired by the auteurship of Edgar Wright, I created a fast-paced film to reflect the rapidly changing ideology of women's rights and growing strength behind the movement.


Alissa Mohamed

Narre Warren South P–12 College, Narre Warren South
Bunurong Country

A still from an animated film, showing a puppet connected to strings with its arms outstretched. The puppet glows yellow and is smiling with wide eyes.
Strings by Alissa Mohamed, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Strings

Fantasy, Thriller, 6 min

One night, a random puppet-show ticket is thrown into a young girl's room. After going to sleep, the girl is awoken by her imaginary friend and guided to the puppet show. Her friend then performs a dance routine and ‘welcomes’ the young girl onto the stage.

In making this film, I wanted to depict how people can be controlled by their own fantasies or imaginations. Through the imaginary friend, I hoped to portray the nature in which these fantasies take hold of a child. Inspired by Tim Burton and the aesthetic of Coraline, I aspired to twist the audience's minds and show how 'curiosity kills the cat'.


Bailey Parrôt

St Leonard's College, Brighton East
Bunurong Country

A still from an animated film, showing two people sitting together on a couch. They wear matching jumpers that read ‘I’m With Stupid’, pointing to one another. A wall clock and bookshelf are in the background.
Don & Donna by Bailey Parrôt, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Don & Donna

Animation, Coming-of-age, 5 min

Don & Donna explores the concepts of unexpected friendship, cartoon nostalgia and basic human connection. It follows Donna, a young adult, and Don, an old man – two roommates who learn to share their wisdom and experiences with each other.

In making this animation, I endeavoured to promote the value of unexpected friendships. I aimed to encourage open-mindedness and create visual appeal for the audience, and was inspired by the work of Pixar Animation Studios and director Greta Gerwig.


Kyle Patocs

Kilvington Grammar School, Ormond
Bunurong Country

A laneway full of artworks; paintings are mounted on fences, and there are colourful numbers applied to the ground. Planter boxes full of greenery are visible along the length of the laneway.
Laneways by Kyle Patocs, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Laneways

Documentary, 6 min

A group of volunteers in Carnegie, Melbourne transform dark, gloomy laneways into vibrant outdoor art walkways. One of the founding members, Kirsten, details the journey from just wanting to clean up an alleyway to becoming a widespread community-based phenomenon.

In making this film, I hoped to create a documentary that highlights how one small idea can have a huge positive impact on a community. By documenting the past, present and future of these laneways, I wanted to instil a sense of positivity in the audience.


Ariel Reyes

Swinburne Senior Secondary College, Hawthorn
Wurundjeri Country

A close-up image shows two people looking at each other and smiling. One of the people is in focus; they have long brown hair and wear a pearl earring.
Awakening by Ariel Reyes, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Awakening

Drama, 10 min

Awakening is a journey of self-discovery and acceptance through the eyes of Beau, an 18-year-old male struggling to overcome his romantic desires for his ex-girlfriend Eli. Only Marco, a childhood best friend, is able to comfort and lead Beau in the right direction.

In creating this film, I aimed to create a realistic drama about the importance of supportive relationships, particularly among males. I wanted to create a narrative that adolescents can relate to, and was inspired by Beautiful Boy and Babyteeth for their drama-based narratives and supportive relationships.


Amelia Wilkinson

Northcote High School, Northcote
Wurundjeri Country

A close-up image of a man’s face. He has blue eyes and a beard, and is looking just past the camera. Behind him are several paintings that are out of focus.
Leaving Meaning by Amelia Wilkinson, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Leaving Meaning

Documentary, 4 min

This personal documentary centres around my father, Nathan Wilkinson. It explores his day-to-day life, showing a holistic take, including his art, work and family.

In producing this film, I hoped to create a heartfelt and poetic film that embodies what goes on behind-the-scenes and in the mind of my father, Nathan. Influenced by programs such as Australian Story, this documentary hopes to inspire appreciation for Nathan and his art.


Finn Woodlock

Billanook College, Mooroolbark
Wurundjeri Country

A figure stands in dark woods, wearing a white suit. They have a large spherical head made of paper mache, with two large blue eyes.
Puppet Show by Finn Woodlock, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Puppet Show

Thriller, 6 min

Bored and locked in her house, GIRL is tired of her life, tired of being dismissed and tired of not being understood. Most importantly, she is tired of being treated like a child. On a day like every other day, IT shows up. Who is IT? Why is IT here? What does IT want?

In making this film, I hoped to showcase the complexities of adulthood and the constant desire of kids wanting to grow up, not realising the bliss of childhood. Through the thriller genre, I wanted this sense of growing up to be portrayed as a horror.


Bailey Zervaas

Berwick College, Berwick
Bunurong Country

An animated still shows a person standing in an open doorway, wearing white shirt, black tie, and black trousers. Inside, a table has toppled over, a wall clock is broken alongside it, and a glass is smashed on the ground. Rain is visible through the open doorway.
Been Here Before by Bailey Zervaas, Top Designs 2022. Courtesy of the Victorian Curriculum and Assessment Authority.

Been Here Before

Animation, Thriller, 4 min

A man's life is threatened as the clock approaches midnight and an unknown figure is out for his blood. When meeting his grim fate, the man is given a second chance to relive the day and attempt to survive with the foresight he is given.

In making this film, I intended to create a thrilling narrative and visually impressive experience. I wanted to get the audience invested by incorporating action and mystery elements. I was inspired by sci-fi and thriller narratives and anime series like Steins Gate.


View more in Media

Join the mailing list and get the latest from our Museums direct to your inbox.

Share your thoughts to WIN

We'd love to hear about your experience with our website. Our survey takes less than 10 minutes and entries go in a draw to win a $100 gift voucher at our online store!