Visual Communication Design
Visual designers create and communicate through visual means to influence everyday life for individuals, communities and societies. VCE Visual Communication Design examines the way that visual language can be used to convey ideas, information and messages in the fields of communication, environmental and industrial design. The study relies on drawing as the primary component of visual language to support the conception and visualisation of ideas.
The works and digital folios on display demonstrate design processes that employ critical, creative and reflective thinking. The design process provides a structure with which to organise design thinking and is shaped by considerations of aesthetics and functionality, as well as social, cultural, environmental and economic factors. Students developed their own visual communication presentations through the manipulation and organisation of design elements, design principles, selected media, materials and methods of production.
Abbey Clerke
Mount Evelyn Christian School, Mount Evelyn
Client: Julie Rowan (Belvedere Publishing House)
Melbourne counting cards and packaging
Inkjet print, card, paper
Illustrated map and promotional poster
Inkjet print, paper
The client, Belvedere Publishing House, required a set of Melbournethemed flashcards for children aged four to eight years, along with packaging and promotional material. Vibrant colours, clean shapes and easy-to-read typography ensured that the cards were an ageappropriate, engaging educational resource.
Stella Corby
Canterbury Girls’ Secondary College, Canterbury
Client: Azura Mykonos Resort
Azura Mykonos Resort architectural villa design
Foamboard, plywood, plastic Perspex, cardboard, tissue paper, clay, salt, twigs
Azura Mykonos Resort logo, packaging and surface graphics
Inkjet print
The aim of Azura Mykonos Resort is to provide resort guests with a relaxing, luxurious and culturally immersive experience. This influenced the Mediterranean-inspired white curved form of the villa, as well as the soft blues and organic coral illustrations within the brand identity, to link back to Azura’s Greek connections.
Ben Daley
Scotch College, Hawthorn
Client: Stacks-Melbourne
Brand identity concept board
Photo paper
Apartment building presentation board and architectural model
Photo paper, mount board, paint, PLA filament, sticks
Stacks-Melbourne’s first small apartment building was designed to be immersed in nature – leaving the majority of the site for green space – and be powered by renewable energy. Drawing reference from natural forms, the building also has four vegetable and herb garden plots, an underground garage, four apartments and a rooftop lawn.
Viet Doan
Kew High School, Kew East
Client: Koi Corner
Logo guideline booklet
Inkjet print, coated matte paper
Drink bottle design and 3D model of packaging
Inkjet print, matte paper, laser-cut plywood
The luxurious aesthetic of the Japanese bubble-milk-tea franchise Koi Corner influenced the design of the logo and re-usable drink container. The elegant symbol of the koi fish and vertically aligned type highlights the brand’s origin and, along with the sophisticated form of the bottle, creates an authentic visual language that promotes the store.
Eve Fetherstonhaugh
Victory Christian College, Strathdale
Client: Supernova Theatres
‘The Falls’ architectural model and artistic rendering
MDF, plastic, 200gsm matte paper
‘The Falls’ logo
200gsm matte paper, fabric (cotton)
The Falls is a bold, contemporary architectural design that incorporates passive design and renewable energy and is seamlessly integrated into the stunning natural environment. Its sustainability-conscious design and luxurious indoor and open-air theatres aim to draw tourists from all over the globe. The building is inspired by the Bauhaus movement, with an innovative balance between organic and geometric design. The logo combines dramatic elements and symbols of flowing water in response to the Tasmanian environment.
Jiny Jeong
Nossal High School, Berwick
Client: Marine Blue
Crayon Cities: Set of picture-book illustrations and character design
Inkjet print of picture-book spreads
Toy design and packaging
Inkjet print of package net, acetate, laser print of toy design
The objective of Crayon Cities was to introduce the concept of colours in a creative and intriguing way to young audiences. As a result, a set of vibrant, colourful illustrations, each incorporating motifs from famous cities around the world, were designed to accompany the author’s text. To promote the book, a complementary children’s toy and packaging was designed to match the playful aesthetics of Crayon Cities, identifying it as a product related to the book.
Rishab Kiran
McKinnon Secondary College, McKinnon
Client: Sydney Samurais
Mascot logo design, logo on a jersey mock-up and logo for social-media banners
Pencil, fineliner, acrylic paint, vector and raster-based digital applications
Digitally rendered isometric headphone design and third-angle orthogonal design of the headphones
Pencil, vector and raster-based digital applications
The creation of Sydney Samurais’ mascot and headphone designs were influenced by the need for a futuristic depiction of Japanese samurai imagery. Colours associated with Japanese culture were utilised for brand identity and further increased with a composition of sharp and fluid shapes to instill a sense of intimidation in audience members.
Saskia Medd
Brighton Secondary College, Brighton
Client: Lateral Stationery and Office Supplies
IKO modular set
Epoxy resin, 3D-printed plastic
Packaging for IKO modular set and new brand logo
Ink jet print, cardboard, adhesive paper
Lateral Stationery and Office Supplies wanted a striking and sculptural modular pencil-holder set with packaging that would appeal to their target audience. The logo is bold and a distinct rebrand for the company.
Ilya Parakhin
McKinnon Secondary College, McKinnon
Client: Westland Southfield
3D-form model of building
Foam board, cardboard, thin acrylic, paper
Multi-page brochure
Foam board, acrylic, hot glue
The client’s need for the design of a brand-new multistorey office building has been met with an innovative approach featuring a number of sustainable energy-generation methods. Smart natural lighting control is also used in order to assist the building’s occupants with both work and recreation.
Alyssa Payad
Marian College, Sunshine West
Client: Eco-Husk
Brand identity, adhesive stickers, coasters, tote bags and business cards
Fine liner, alcohol markers, watercolour paint, grey lead, gel pen, fabric ink, inkjet print, cartridge paper, adhesive paper, plywood
Packaging designs and nets
Fine liner, watercolour paint, grey lead, gel pen, coloured pencils, inkjet print, cartridge paper, metallic paper, coloured paper, kraft paper, raw packaging card
The sustainable and natural essence of Eco-Husk has been conveyed through its brand identity and promotional materials. Organic shapes and earthy colours are used to promote sustainability and ecofriendly alternatives in response to the concerning rise of waste produced by the coffee industry.
Holly Poulter
Lowther Hall Anglican Grammar School, Essendon
Client: Rebecca Miller (Track Records)
Concept board and 3D model
Poster paper, balsa wood, foam core
Logo and company website
Printing, digital-based methods
The final presentation for the Track Records office aimed to create a strong visual identity and overall cohesive design that included music-related imagery. This was achieved by incorporating the use of line in the visual identity, and curved edges that are seen throughout the building; these forms are reminiscent of imagery related to a vinyl record.
Ellie Roth
Bialik College, Hawthorn
Client: Jackie Rae (Chai Me)
‘Chai Me’ cafe design
Digital applications, balsa wood, cardboard, acetate, paint, paper, inkjet print
‘Chai Me’ packaging design
Inkjet printer, digital applications, card paper, sticker paper, poster paper
The client need was the design of a chai cafe and packaging inspired by India and the popular chai drink. The intention was to create a warm, vibrant and modern environment. I achieved this by designing a simple, symmetrical cafe with natural dusty pink walls and Indian-style patterned tiles. I also incorporated a colourful logo that is featured on the packaging, coffee cups and aprons. The logo is also subtly featured throughout the cafe, in the tiles and door handles.
Isabel Simons
St Catherine’s School, Toorak
Client: Elevation Events (Festival Recharge)
Promotional material
Inkjet print, ribbon, glossy paper
Architectural presentation
Inkjet print, glossy paper
I created a promotional poster for ‘Festival Recharge’ to advertise its natural and euphoric atmosphere, alongside a QR code and ticketed wristband for extra information. I also created ‘Away with the Fairies,’ an architectural installation that appears to be a sculpture of a toadstool, but has the functional purpose of a panoramic bar. It provides attendees with a chance to indulge in food and drink.
Samara Spiegel
Bialik College, Hawthorn
Client: Grounded Coffee Co.
Logo and packaging
Recyclable packaging, stickers and tote bag
Poster and brochure
Inkjet print
Grounded’s goal of being a sustainable coffee company is heavily influenced by the global issue of climate change and the impact of the coffee industry. I sourced a variety of different materials to reflect the company’s eco-friendly stance such as reusable and recyclable options for packaging. I used these materials for the branded labels, as well as company merchandise such as tote bags and stickers. By using manual methods, such as watercolour painting, the surface graphics of these goods depict Grounded’s sustainable ideology.
Olivia Spitaleri
Lowther Hall Anglican Grammar School, Essendon
Client: Mark Watson (Offshore Boards)
Logo and website
Digital-based methods, printing
Concept board and 3D model
Digital-based methods
Mark Watson’s passion for marine conservation and surfing influenced the design of both the visual branding and architectural building. With vibrant colours, free-flowing shapes and recyclable materials, a modern and relaxed logo and store was created. An emphasis on sustainability has been enforced and the company’s credibility has been heightened.
Yoseph Adel Wahba Molano
Cheltenham Secondary College, Moorabbin
Client: FilledVoid
Bravehope prosthetic arm
Inkjet print
Brand identity
Inkjet print
FilledVoid’s focus on helping amputees feel secure about their body image heavily inspired both the brand identity and the new range of prosthetics. Symbolic, inspirational imagery was infused in the logo to passively promote an optimistic world view, while an elegant aesthetic was achieved using contrasting colors on the prostheses to incite a greater sense of self-confidence.
Olivia Wilson
Donvale Christian College, Donvale
Client: Oriental Dining Pty Ltd
Origami Japanese street food pop-up restaurant
Translucent polypropylene, plywood, timber veneer, red tapestry thread, clear plastic beads, string, hot glue, PVA wood glue, laser printout, foam core, spray adhesive, double-sided foam tape
Origami placemat, menu and take-home origami sculpture
Translucent vellum paper, Jac paper, laser print
The designs for Origami, a pop-up Japanese restaurant are inspired by the Japanese paper art-form and street food culture. The shapes, colours and materials are derived from origami and Japanese design. The restaurant can be relocated and the menu taken home and folded into a branded origami sculpture.